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Fiona Robberson is an AEA actor from Dallas, TX. She was most recently seen as Ann Deever in All My Sons at Hartford Stage, starring Marsha Mason and Michael Gaston, and as Helena in A Midwinter Night's Dream at Shakespeare Theatre of NJ. In 2023, she starred in Roundabout Theatre Company's REFOCUS Project reading of Big Hunk O' Burnin' Love, and as Genevieve in the world premiere of Three Texas Women by Matthew C. Mills, presented at Teatro Latea with the NY Theater Festival. She's a graduate of the MFA acting program at The Juilliard School (Group 50), where she performed in the NYTimes-featured, filmed production of PLANO by Will Arbery, directed by Danya Taymor. Fiona is also a graduate of NYU Tisch and the Shakespeare in Performance program at RADA, and a company member with Shakespeare Theatre of NJ, seen in recent productions including Titus Andronicus (Lavinia), Much Ado About Nothing (Hero), A Child's Christmas in Wales (Elieri), and The Three Musketeers (Queen Anne). In spring 2022, Fiona appeared in Dominique Morisseau's world premiere of Confederates at Signature Theatre, covering Missy Sue/Candice. Other professional credits include: Robin Hood and Chessman (B Street Theatre), Romeo and Juliet (Shakespeare Dallas), The Bacchae (La MaMa ETC), Only A Paper Moon (FringeNYC), Easter (Undermain Theatre), A Christmas Carol (Dallas Theater Center), Evergreens (Atlantic Theater Company workshop). University credits: Twelfth Night, Hooded: Or Being Black for Dummies, Fucking A, The Cherry Orchard (Juilliard), Dogville (NYU StageWorks, Robert O’Hara, Dir.), Trojan Women: A Love Story (NYU Meisner Studio).


I’ve been described as an artistic mash-up of Rachel Brosnahan, Emilia Clarke, and Vivien Leigh:

an actor who is warm, funny, hard-working, with the fiery spirit of a Jane Austen heroine. 


As an actor, I’m in my sweet spot with an Aaron Sorkin speed and Amy Sherman-Palladino humor - I’m drawn to projects that are quirky, witty, a little dangerous, sometimes cerebral, and made for a smart audience. I also champion female-led projects, and I’m a sucker for any period comedy, particularly those that are created for a contemporary viewer. Think “Fleabag” meets “Marvelous Mrs. Maisel.”


I was born in Mexico City and grew up in Latin America and London before coming to the U.S. for high school, and because of that complicated background, I’ve always felt like my work as an artist has tried to embrace a variety of world views and perspectives. As a writer/director/artistic collaborator, I’m always seeking out collaborations that are multi-disciplinary, that actively question the status quo, and confront my ever-expanding world view. That said, I’ve always been deeply rooted in the classics and find myself wanting to challenge what role the classics play in a contemporary society. My work as a writer and director has been described as “classic, with a twist.” My best, most dynamic, and most celebrated work always lives in that “twist.”

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